Rover Thomas Joolama

Rover Thomas is widely regarded as one of the most influential figures in the development of East Kimberley painting. Born in 1926 in the Great Sandy Desert, he spent much of his early life travelling vast stretches of Country as a stockman before settling in the Warmun region. His artistic career began late, yet his emergence in the early 1980s marked a profound cultural shift. The visionary story cycle that came to him through a series of spiritual visitations, later shaped into the Gurrir Gurrir ceremony became both a source of healing and a framework through which community histories, ancestral forces and contemporary events could be expressed publicly. Working with natural ochres, Thomas forged a powerful visual language that distilled the Kimberley landscape into elemental forms, where Country, memory and law are inseparable. Within a decade he had become a defining voice in Australian art, culminating in his selection to represent Australia at the Venice Biennale in 1990. Today, his work continues to shape the identity and trajectory of Gija painting.

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Rover Thomas Joolama

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