Provenance
The Artist
Dacou Gallery, Adelaide, cat. no. SS1197163
Flinders Lane Gallery, Melbourne, cat. no. FG010024.EK
Private Collection, Melbourne
Aboriginal and Oceanic Art, Sotheby's, Melbourne, 26-27 July 2010, lot 130
Spinifex & Sand Collection, Tasmania
Spinifex and Sand: The Tony Norton and Jann Williams Collection of Aboriginal Fine Art, Mossgreen Auctions, Melbourne, 4 April 2016, lot 29
Private Collection, acquired from the above
Dacou Gallery, Adelaide, cat. no. SS1197163
Flinders Lane Gallery, Melbourne, cat. no. FG010024.EK
Private Collection, Melbourne
Aboriginal and Oceanic Art, Sotheby's, Melbourne, 26-27 July 2010, lot 130
Spinifex & Sand Collection, Tasmania
Spinifex and Sand: The Tony Norton and Jann Williams Collection of Aboriginal Fine Art, Mossgreen Auctions, Melbourne, 4 April 2016, lot 29
Private Collection, acquired from the above
Exhibited
Emily Kam Kngwarray: Everything, Frieze Masters, The Regent's Park, London, 11-15 October 2023
Literature
Margo Neale, et al, Emily Kame Kngwarreye, Alhalkere-Paintings from Utopia, Melbourne: Macmillan, 1998, p.62 cat.89, p.144, pl.94 (illus.). Margo Neale (ed.), Utopia: the Genius of Emily Kame Kngwarreye, Canberra: National Museum of Australia, 2008, pp.206-207 (illus.).
Emily Kam Kngwarray: Everything, Frieze Masters 2023, D’Lan Contemporary Pty Ltd, Melbourne, p. 38
Emily Kam Kngwarray: Everything, Frieze Masters 2023, D’Lan Contemporary Pty Ltd, Melbourne, p. 38
Description
Decision about including this work in the London exhibition should be made after we see what the Tate retrospective do with regards to these works.