Provenance
Private Collection, Western Australia, 1970s
Private Collection, Queensland, acquired from the above
Important Aboriginal + Oceanic Art, Deutscher and Hackett, Melbourne, 6 October 2010, lot 4
Martin Rae Collection, New York, acquired from the above
Description
Enraeld Djulabinyanna Munkara was a master Tiwi sculptor, ceremonial leader and cultural custodian from Milikapiti on Melville Island. While living at the independent community of Paru, away from the influence of the Catholic mission, Enraeld developed a singular practice distinct from his Tiwi peers. His work evolved from the Pukumani funeral tradition, in which striking poles and mourning figures were placed as grave markers to symbolise the journey to the afterlife in Tiwi belief. His carvings resonated with collectors and institutions and were exhibited internationally, helping to introduce Tiwi art to the mainstream, and cementing his legacy as one of the most celebrated artists in Tiwi history.
Appearing hunched and off-kilter, his highly decorated Cubist-like forms capture the gesture and vigour of the Tiwi ancestors they represent. His roughly hewn figures are distinguished by their bulbous heads, deep-set eyes and lively decoration. Their stance suggests the posture of ritual dancers as they wait poised in anticipation of ceremony. In this example Enraeld has painted white circles around the eyes of Purrukuparli to convey his sorrow at the loss of his son. This mirrors the face paint worn by Tiwi performers during Pukumani (funerary) ceremonies.
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