Provenance
Private Collection, New South Wales
Sotheby's, Important Aboriginal Art, Melbourne, 25 July 2005, lot 110
Private Collection, United States of America, acquired from the above
Literature
Melville Island Catholic Mission, Northern Territory
Private Collection, New South Wales
Aboriginal Art, Sotheby’s, Melbourne, 25 July 2005, lot 110
The Martin Rae Collection, New York, acquired from the above
Description
Paddy Henry Teeampi was a renowned Tiwi sculptor whose works captured the spiritual essence and ancestral narratives of the Tiwi Islands. His sculptures often drew on the Pukumani (funerary) ceremonies central to Tiwi culture.
The story of Tokwampini warning Purrukuparli of his son’s death, which led to the decree of mortality for all Tiwi, is a recurring theme in Teeampi’s work. His stylised, elongated figures convey a strong presence while honouring the ancestral connections between land, people and the spiritual world. His sculptures, housed in major collections such as the National Gallery of Australia, serve as enduring representations of Tiwi cultural identity and heritage.
It is highly likely that this sculpture features Tokwampini, the Jabiru, atop Purrukuparli, the Tiwi ancestral leader. Tokwampini was the messenger in the Pukumani ancestral story who told Purrukuparli that his wife, Bima, had committed adultery with Taparra. Similar sculptures created by Teeampi feature Tokwampini (bird in the Tiwi language) in the form of various other birds including the pelican.
The tiered configuration of this sculpture has its origins in the making of Pukumani (funerary) poles. Early twentieth century examples of these poles featured carved human, bird and animal figures at their top. Later, innovative Tiwi carvers began sculpting figurative forms separately and on a smaller scale.