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Untitled - Ceremonial Spears
Untitled - Ceremonial Spears
Untitled - Ceremonial Spears
Untitled - Ceremonial Spears
Untitled - Ceremonial Spears
Untitled - Ceremonial Spears
Untitled - Ceremonial Spears
Untitled - Ceremonial Spears
Untitled - Ceremonial Spears
Untitled - Ceremonial Spears - Image 1
Untitled - Ceremonial Spears - Image 2
Untitled - Ceremonial Spears - Image 3
Untitled - Ceremonial Spears - Image 4
Untitled - Ceremonial Spears - Image 5
Untitled - Ceremonial Spears - Image 6
Untitled - Ceremonial Spears - Image 7
Untitled - Ceremonial Spears - Image 8
Untitled - Ceremonial Spears - Image 9
Artist Name
Artist Unknown
Artwork Name
Untitled - Ceremonial Spears, circa 1950s
Medium
Natural earth pigments on carved hardwood
Dimensions
179 cm; 208 cm high (2)
Inventory ID
INV-UNKA-0179

Provenance

The Artist, executed on Bathurst or Melville Islands, Northern Territory
Private Collection, Adelaide

Description

The Tiwi people have a rich cultural heritage that includes a variety of ceremonial practices and objects.

One of the most important cultural objects is the ceremonial spear, which renowned anthropologist Herbert Basedow noted marked the Tiwi people as an entirely separate cultural group from mainland Aboriginies in 1911(*).

Spears can be categorised by their barbs, with Tunkalinta (the male spear) featuring barbs exclusively on one side and the Arwainkiri (the female spear), displaying barbs on both sides. Ceremonial spears were most commonly used in the Pukamani/mourning ceremony.

The current works feature intricate designs painted with ochre, reflecting their creator (or creators) were skilled artist(s) in their own right. The shafts on both spears evidence longitudinal grooving and the coarse carving between barbs indicate both spears were possibly, if not likely, fashioned from hardwood using sharp shells consistent with traditional crafting methods.

These ceremonial spears were originally collected by a South Australian who was working on Tiwi Islands communication infrastructure in the 1950s, prior to increased collector demand and the development of tourist trade in Tiwi arts experienced in the 1960s and 1970s.

It is rare to discover such important and intricate ceremonial spears of this age and in this condition. They are works of spectacular craftsmanship and sculptures in their own right.

*J, Isaacs, Tiwi, Art/History/Culture, The Miegunyah Press (p.63)

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Status
On Hold
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D Lan Galleries acknowledges the Traditional Owners and Custodians of the lands on which we work – the Wurundjeri Woi-wurrung, Bunurong and Boonwurrung peoples of the Kulin Nations in Naarm/Melbourne, the Birrabirragal and Gadigal peoples of the Eora Nation in Gadigal/Sydney, and the Lenape people of Lenapehoking, the ancestral lands that now form New York City.

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VIC, 3000, Australia

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